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music at a distance 110

by snwv

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1.
Magnolia 09:54
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Azalea Roots 10:31
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about

This week is a return to pedal steel. While I've only been playing it since last February, it's really come to feel like an instrumental home, where music knows it's welcome. Playing these pieces, they seemed outside of time entirely--the whole performance seemed to go by quickly...but listening back to them, the pieces feel meditative and eternal. If you want calm, the music is here with it.

Thank you to everyone in the live chat giving feedback during the performance. We can't all be in the same room together just yet, but the livestream did have some of that feeling. I hope you're all doing well. Thank you for listening!

This week's improvisation is dedicated to the work of Freddie Styles.

credits

released April 27, 2022

Maurice Rickard: Guitar, programming

Instrument: 1970s 10-string pedal steel guitar in modified E9 tuning (F# C# E F# G# B E G# D# F#), played with fingers, thumb pick, and eBow. Slides: Dunlop tonebar, Taylor ebony.

Signal chain: pedal steel > Balls Effects KWB > Vox Wah > Moyo Volume > Max/MSP eight-delay patch with FFT pitch shift, double tremolo, convolution reverb, Arturia Tape MELLO-FI.

Impulses: Huddersfield Town Hall (Near), Inchindown Oil Tanks, Fort Worden Cistern

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snwv Pittsburgh

Maurice Rickard is a musician, sound artist, and Deep Listening Certificate holder based in Pittsburgh. snwv is his project to create ambient environments from finely tuned oscillators and other sound sources as well (guitar, microphones, feedback). Some patches use mostly oscillators, some use delays, some use controlled amounts of randomness. Results range from gentle ambience to chaos. ... more

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