music at a distance 115

by snwv

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1.	Diamond Sentinels 09:04	buy track
2.	Coupled Column 11:22	buy track
3.	Sentinel Marker 13:52	buy track
4.	Fundamental Presence 16:58	buy track
5.	Primary Presence 08:57	buy track
6.	Split Ritual 06:43	buy track
7.	Eternal Celebrant 15:00	buy track

about

May 30th would have been the 90th birthday of Pauline Oliveros, and I was fortunate to be able to witness an online gathering of fellow Deep Listeners and others connected to the listening community. If we're going to counteract the forces of disconnection, we need to be present for each other.

If you're here...I'm glad you're here. For anyone struggling, please reach out to people you know. Against the blaring emergence of terrible events, or the nearly constant hum of plain bad news, we need to be listening for each other.

This week's performance had a surge of live listeners on Twitch, and I'm particularly grateful to Minmei Decelis (www.twitch.tv/myboyfriendthepilot) for connecting me to the vibrant noise and experimental community there, and to AnaRchYinBedRoK (www.twitch.tv/AnaRchYinBedRoK) for organizing the raid train. And thank you to everyone who's been listening.

This week's improvisation is dedicated to the work of Beverly Pepper.

credits

released June 1, 2022

Maurice Rickard: Guitar, programming

Instrument: 1970s 10-string pedal steel guitar in modified E9 tuning (F# C# E F# G# B E G# D# F#), played with fingers, thumb pick, and eBow. Slides: Dunlop tonebar, Taylor ebony.

Signal chain: pedal steel > Balls Effects KWB > Vox Wah > Moyo Volume > Max/MSP eight-delay patch with FFT pitch shift, double tremolo, convolution reverb, Arturia Tape MELLO-FI.

Impulses: Huddersfield Town Hall (Near), Inchindown Oil Tanks, Fort Worden Cistern

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about

snwv Pittsburgh

Maurice Rickard is a musician, sound artist, and Deep Listening Certificate holder based in Pittsburgh. snwv is his project to create ambient environments from finely tuned oscillators and other sound sources as well (guitar, microphones, feedback). Some patches use mostly oscillators, some use delays, some use controlled amounts of randomness. Results range from gentle ambience to chaos. ... more

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